Anson Jones Elementary – 1955

How many times did the person who drafted this detail draw the various components of this condition before this particular version was committed to paper?

Lets say a dozen for the roof edge detailing, five for the plaster soffit at the metal fascia panel, twenty for the lintel/ masonry/ door head condition.

These were drawn by hand and iterated over and over and over again until the creator of this drawing knew every element of this condition by heart before they even begin the first draft of this particular instance.

How many times has a human (let alone the drafter, let alone the architect) even looked at the details that go out on your most recent set of drawings?

Welcome to Details from the World!

This is an architectural design, construction detailing, and industry discussion blog that will explore the role of the architect in the construction industry ranging from the historical “master builder” to whatever the future may hold.

Detailing in construction is one of the hallmark differentiators between “Architecture” and “a building”, yet our modern practice generally abdicates responsibility for this, amongst a host of other responsibilities, to specialists or leaves it to the builders to handle.  I plan to argue here that detailing is a core competency for architects and that if we plan to maintain this practice as a viable profession into the future we must take pains to reclaim this and other responsibilities as our own.

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I am a registered architect in Dallas, TX in my 21st year of practice.  I have undertaken design, construction, & management work ranging from speculative pop-up bus stops in Better Blocks type projects to preservation and renovation of century old cathedrals, from school district roof replacements to state of the art LEED college buildings, and from integration plans for mass modular buildings at elementary campuses to detailing period sensitive chair rail trim in a craftsman bungalow. 

Across the breadth of this experience I have seen that the ability to identify and understand problems from all available angles paired with the ability to develop and convey solutions to all concerned parties is a key but generally neglected skill throughout the industry as it currently operates.

I have seen the architectural profession change in this period from one of broad and essential authorities and responsibilities to one that developers resent even paying.  Architects farm out zoning compliance, permit procurement, code compliance, accessibility compliance, field verification, life safety planning, engineering, drafting, LEED compliance, bidding, negotiating, site observations, contract administration, even printing to subcontractors & consultants.  What’s left of our authority & responsibility after that?  Is it any wonder that developers resent paying us?  Is it any wonder that contractors regard us as inessential?  Is it any wonder that architecture is in crisis?

Why bother then? 

I bother because I believe that this is one of the most noble of professions, one of the fundamental human endeavors.  I believe that the profession stands at a crossroads and that there is a generational opportunity to redefine this profession in a way that is both long overdue and unlike the opportunities available to other professions, or even in other industries. 

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One source of inspiration for this blog comes from world travel (thus the name).  Seeing how design problems are tackled in other cultures and time periods, what materials are utilized, what the advantages are from those choices, and what the detriments is a source of near endless fascination, and leads to questions about why we do things the way we do in our culture, and what we could do differently or better.  One objective I have in this blog is to explore ways to achieve the effect of certain world historical details in authentic, modern, and buildable ways that are true to modern materials and methods.

Another source of inspiration for this blog is my history working with skilled professional builders and crafts persons in the construction industry.  I want to record their experience and wisdom for future benefit, as well as to document and articulate the most important lessons I’ve learned on job sites.

The first lesson: always trust the guy with the hammer to know what you can do with a nail.

The second lesson: never trust the guy with the hammer to know what that pipe connects to.

A third inspiration for this blog is the desire to explore detailing of new materials in ways that are both appropriate to those materials and true to good design principals.  So often we see built conditions that seek to mimic historical conditions, or installations of new materials that are simply inept.  Both of these examples stem from one source: the poorly expressed, but correctly observed instinctual understanding that there was something more substantial, more pleasing, and more humane about buildings built using traditional methods and materials. 

We can solve this conundrum.  It might take a minute, and it will definitely take some study, and some effort.  We won’t make it there through my efforts alone, so I’ll be welcoming your comments and contributions as well.

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Thanks for joining me for the start of this.  Lets get on our way.

-Keith